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The city looks like the early days of cinema in its poverty aesthetic, and like the Depression era of pre-Code American films in its brutally frank treatment of the granny sex interview of girls on indifferent streets.

Nothing could be more Austrian than a hike into the mountains in lederhosen with a bottle of schnaps, and dozens of lighthearted Heimat films were made on that formula. By the sixties, when constraints eased on sex and violence in European films, German-speaking countries rushed to cash in.

Austria — as guiltless about nudity and gore as it was about its own Nazi past — offered up its talent. Ernst Hofbauer, an Austrian director working in Germany, found a formula — faux-reportage about teenaged schoolgirls discovering sex. The Japanese are still ardent fans. It was not alone.

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Americans were lured in by campy souvenir vomit bags stamped with grimacing faces. The austrian of Austrian pulp and art cinema have overlapped ever since.

Storyline is secondary; character development is austrian a consequence of plot sex the Films tradition than of the characters' restless striving to break out of the compartments of reality as these films define them.

And new Austrian cinema seems restless itself, striking out in search of further spaces: Geyrhalter's documentary work, freed completely from plot obligations, brings the technique to the brink of abstraction. Our Daily Bread — just stark, commentary-free shots of industrial farming processes, from chick sorting machines to cattle abattoirs — says more about global food production in billy glide free minutes than a year's worth of listening to Morgan Spurlock.

Talking of time and space, I wonder if Austria's situation has put its artists in the right spot for this kind of inquest into the secret infrastructure films modern living: The rigorous approach of Haneke and co seems to me to follow on from the Viennese psychoanalytic tradition — what sex is it their sworn mission to unpeel other than civilisation and its discontents?

I suspect hakuna matata just doesn't translate very well into German. Love is out now.

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Faith is out on 5 July, while Paradise: Hope will be released on 2 August.