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For M. Donatella Donati, the daughter of Ermanno Donatibecame D'Amato's assistant and constant collaborator, usually acting as production secretary and assistant joe. The two companies were the main vehicles for D'Amato's film production of this period.

From untilD'Amato produced 14 hardcore pornographic films through both companies Cinema Pornovideowhich was directed entirely by Giuliana Gamba under the pseudonym Therese Dunn ; [56] it was the first film D'Amato produced for another director — a practice he would start expanding amato years later in his Filmirage period. The average Cinema 80 or M. Lust for Sex. It recounted the final days of the Roman Emperor Caligula and was followed nikki rhodes big tit patrol two purely hardcore pornographic films porn Una vergine per l'impero romano and Messalina orgasmo imperiale — in which D'Amato reused sets and costumes from the first film, albeit on a significantly lower budget.

They have been called his "porno- peplum trilogy ". Messalina orgasmo imperiale shot in also happened to be the last film of this period. AmatoD'Amato had taken over a company from producer Ermanno Donati.

D'Amato had renamed the company to "Filmirage" and used it to produce his own and, from onwards, also other directors' films for the international market. InD'Amato used Filmirage porn produce, shoot and direct the first film of the Ator joe It was followed by Ator 2 - L'invincibile Orion English titles: The films follow the success of Mad Max and Mad Max 2 In and earlyD'Amato briefly reactivated his company M.

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D'Amato is reported to have collaborated on some of these himself as well, although it remains speculative in which function and on which ones.

D'Amato joe this hardcore-free period by directing four softcore dramas set during fascism in Italy and starring Lilli Carati and Laura Gemser: The four films recall the style and themes of Tinto Brass 's La chiave The Key while their plots and characters are not interconnected in any way. There followed a phase in which D'Amato directed softcore films predominantly in the United States, often takes on popular American films. Beyond producing his own softcore films, D'Amato also used Filmirage to produce other directors' films: At the beginning of the s, D'Amato revisited his Ator series with a concluding entry entitled Quest for the Mighty Www black tgirls com[80] featuring the Son of Ator.

Devil in the Flesh follows a group of mercenaries who encounter some nurses at an isolated hospital, and Dangerous Obsession tells of a woman who turns the tables on her assailant. Ininspired by the success bikini babe videos the Chinese erotic comedy Sex and ZenD'Amato then went to the Philippines to joe a number of Asian themed softcore films, for which he often used Chinese pseudonyms.

The Tales of the Red Chamber ; named after China's classical novel Dream of the Red Chamberthe latter two structurally and thematically reminiscent of Italian decamerotici. Later inD'Amato went back to predominantly producing and directing hardcore pornography.

When shooting on video, there was little difference between the individual films in terms of profit, which helped minimise production risk, but the overall profit and hence the quality of the individual productions that were shot on video were lower compared to productions shot on film.

In amato shooting adult films from toD'Amato also made four attempts at returning porn genre films. Inhe directed the erotic drama Provocation set in the Italian countryside of the s starring Erika Savastani, [95] and in the erotic comedy Top Girl set in and around an American TV station [95] and the erotic thriller The Hyena porn Cinzia Roccaforte, which received a limited theatrical release in Italy. Throughout his career, D'Amato porn his birthname Aristide Massaccesi only once for a amato credit, namely for Death Smiles on a Murderer For his first work amato camera operator, it was the only name he was credited with, and as cinematographer, writer of stories and scriptwriter, he credited himself or was credited with it regularly until the early s.

The first pseudonyms used by Aristide Massaccesi were his actor's credits in the spaghetti westerns Straniero Ariston Massachusetts and Arizona Massachussetrespectively. His best known pseudonym is the anglicized Joe D'Amatowhich he first adopted as director of Giubbe Rosse The pseudonym Federiko Sloniskosometimes also spelled Federico Slonisco or any mixture of these two spellings including the short form Fred and several other mis- australian porm variant spellingswas regularly used for D'Amato's work as cinematographer starting in The pseudonyms Federico Slonisco Jr.

This pseudonm is also to be found as directorial credit for Death Smiles on a Murderer in the entry at Public Cinematographic Register, but was later changed to D'Amato's birthname for the release. David Hills was also used as directorial credit on an early announcement of Deep Bloodbut was exchanged by the allonym Raf Donato for the official release.

For the last two films of D'Amato's "porno-peplum trilogy", Una vergine per l'impero and Messalina orgasmo imperiale both releasedD'Amato used Dirk Frey as cinematographer and Robert Hall maitresse sable O.

Clarke as director, respectively. The pseudonym Peter Newton was used for D'Amato's credit amato cinematographer on Paradiso blu [] and his directorial credit on Absurd The female pseudonym Joan Russell was used for D'Amato's directorial credit on Una tenera storia For his oriental films ofD'Amato used a number of new pseudo-oriental pseudonyms.

An allonym is distinguished from a pseudonym in that it is the given name or pseudonym of a different person from the one who should be credited. Romano Gastaldithe pseudonym of Romano Scandariato, was used joe the directorial credit on More Sexy Canterbury Taleswhich D'Amato directed while Scandariato was his assistant director, [] and for Fra' Tazio da Velletriwhich D'Amato left after a disagreement soon after the beginning of the shoot; Scandariato, his assistant, finished the film and was credited.

The film was reportedly directed by D'Amato and Santaniello was the film's producer. Anna Bergman ' s name was also used for the directorial credit on Paradiso blu Bergman was the main actress, but D'Amato directed the film. Her name was used for the directorial credit because, according to Luigi Cozzi, the producer did not want it to be seen as an erotic film for which D'Amato was porn known at the time.

Bernabei stated in an interview that he created it with Walerian Borowczyk 's name in mind. Of these 14 films, Bernabei directed 3, D'Amato According to an interview he gave init was to camouflage his return. Raf Joea variant of Raffaele Donato's name, was used for the directorial credit on Deep Blood According to D'Amato, Donato had planned to direct the film, but only directed the first scene. D'Amato directed the rest of the film.

According to the actresses who worked with him, D'Amato was sociable, humorous with a sense of irony, amiable, and supportive; to some he appeared like a father.

Gemser also remembered that D'Amato rarely got angry, and that when it happened he usually took it with irony; when deeply angered, however, he would shout joe curse and become insufferable.

InJoe D'Amato was a special guest at the London film festival "Eurofest" which took place at the Everyman Cinema, Hampsteadwhere he gave an onstage interview to Mary Ashworth inbetween screenings of Stage FrightEmanuelle and the Last Cannibalsand Frankenstein — the latter amato world premiere, followed by a signing session. The Blood and the Fleshconsisting of Antropophagus and Le sexe noir both The "Hofbauer Kongress", which takes place at least once every year since at porn Komm Kino in NurembergGermany, has repeatedly screened D'Amato's films mostly from 35 mm printswith the 15th and 16th edition of the festival being especially devoted to the filmmaker.

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